The Act of Writing Historical Fiction.

Fiction writers are essentially liars. Historical fiction writers are thieves as well.

Readers of fiction enter a deal whereby they knowingly suspend disbelief, and believe what they are told. Readers of historical fiction do not have to suspend disbelief, but they knowingly accept stolen goods – unless the tale has been legitimately inherited as in Karen Charlton’s Catching the Eagle. Continue reading “The Act of Writing Historical Fiction.”

Writing historical fiction – when & why.

Which epoch and why? #1
JGH: ‘I write stories set in the seventeenth century and the early twentieth century.’

Question: ‘Why those epochs?’

Good question. Let’s look at some clichés first: Roman sword’n’sandal stories are bloody and exciting; the War of the Roses is full of intrigue; Tudor novels are sexy; Regency novels are titillating; Victorian novels are upstairs and downstairs; and World War stories are full love, loyalty and family suffering. But the seventeenth century has it all – and Continue reading “Writing historical fiction – when & why.”

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